Art

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You may not always hear their influence in my work, but here are 4 pieces of music that have left an impression on me.

1. Miles Davis–”So What”

The first time I heard this track was in my college dorm room during my freshman year. The composition itself is sparse and Miles’s horn is haunting. It was my first exposure to music that changed my perception of what music could be.

2. Igor Stravinsky–”Right Of Spring”
Stravinsky wrote “Right Of Spring” in the early part of the century when the world was in turmoil (World War I). The piece reflects that and it shattered everything around it. It’s an incredibly complex work but it’s also primal. I think it’s one of the greatest compositions in the classical world.

3. Hans Zimmer–”Journey To The Line”
This piece was composed for the film “The Thin Red Line”. I can’t imagine the movie without it. I can’t imagine my life without hearing this piece. It’s sad, it’s heroic and it’s perfect all at the same time.

4. Brian Eno/Jon Hasell–”Delta Rain Dream”
This collaboration by Eno and Hassell led to a very unique blend of third world and modern elements. The whole album had an influence on me but I this is my favorite piece on the album. There’s something sublime about this track.

With creativity, one must accept a certain amount of peril.

The last month or so I’ve found myself not spending much time working on my own compositions. Sometimes it’s good to take a break and do other things like reading books I’ve been putting off, along with trying to get some things done around the house. Walking away lets me re-energize. Last night I sat down and began working on a couple of in-progress compositions. I’m well on my way finishing up another album of material. Still, I’m trying to take my time and enjoy the process of creating. There’s no need to rush it.

Music As Painting

When creating music, I tend to approach it more as “painting” sound as opposed to “composing”. For me, this is a better analogy for what I do. I find my self very attracted to creating mood through sound “textures”. If we consider it, “texture” is a very tactile and/or visual term. It’s important in painting.

And while I’m not really thinking in visual colors when creating, I sometimes get the sense that I’m using a paint brush to create a music track’s landscape. Sound is just color that the ears can hear and these colors can be combined in an almost limitless array.

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Yep, I’m still busy writing music, but I also take time to see what’s going on beyond my studio door.

Here are a few things I’ve come across that I’ve liked:

“Braid”–this is a video game by creator Jonathan Blow. In a world filled with high-action gaming, it’s nice to see work that has a totally different vibe. Its pace is slower and there’s decent depth to it. Solid story, simple but dreamy visuals and a very appropriate music soundtrack.

“True Blood”–this series is on HBO. I wasn’t really too aware of it until last week I noticed that the whole first season was available on demand. I started watching it and immediately loved it. Alan Ball, who is the creator of the show, also created the series “Six Feet Under” and also the film “American Beauty”. I’m a huge fan of these, too. Excellent writing, characters and storytelling.

While I’m on the subject of TV (which I don’t watch too much of), another great series is “Mad Men”. I caught the first two seasons a while ago but it just popped into my head as I’m writing this. btw, I rarely watch any series when it first comes out and would rather watch a whole season in a week or so on DVD or on-demand.

“Tycho”–this is a music artist. The style is laid-back electronic music with some undeniable influence from Boards of Canada. Nice for chilling out

Is there anything lately that anyone else has come across? Send me an email and let me know. Or if you just feel like saying hello, you can do that too!

One of my favorite quotes is by 20th century composer Stravinsky:

“The more constraints one imposes, the more one frees one’s self.”

It seems contradictory but I’ve found it to be true. Having a myriad of options in the creative process can decrease focus.

There are no shortcuts to creating or doing something worthwhile. Struggle is an essential part of the process.

Really, it’s no different to become a master artist than it is to become a great athlete or scientist. It requires much discipline and devotion through many, many years.

Certain elements in our culture are constantly trying to sell us the “quick fix” approach. You know the message: “Become wealthy in 12 months” or “Take this 4-week course and become a wildly successful actor” or some other type of nonsense. It’s as if reaching alofty goal or pinnacle requests no suffering. That’s not how real life works. Things that matter require great effort and patience. I’ve really found no exception to this yet.

In struggling to become a master at something, it prohibits us from taking it for granted. At least once a day, I realize how blessed I am to be able to do work I love to do.

I also realize that the better I become as a musician, the more there is to learn. In the end, there is no final destination. The joy is in the travel of the path.

The last couple of weeks have brought an interesting twist to my creative work.

Usually I do most of my work in my studio, but I decided to try a different approach by simplifying my setup. This setup wasn’t going to be for all the work I do but just for a specific group of work, which is some ambient-related music that I’ve wanted to create for a while now. For this foray, I’ve been using only a laptop (with Logic Pro music software), a small music keyboard and headphones. This setup is totally portable and allows me to work on the couch, on a park bench, etc. Pretty much anywhere, really.

The results so far have been positive. It has forced me to think and create in simpler terms and, in doing that, I’ve actually been able to create material that I’m happy with so far.

On a related note, I recently recorded material with a portable recorder I sometimes carry around. I’ve collected a fair amount of recordings of the subway in LA and I even captured recordings in San Francisco. These recordings I’m manipulating to work in more musical terms and this is what I’m using to drive some of the work I’m doing on my portable composing gear.

Some artists are intent on creating exactly what they envision in their minds. Sometimes I’ll start with specific ideas, but more often I’ll start with a general idea of where I want to go and then explore from there.

I like the idea of making room for the unknown. It makes the process of creating more interesting to me and allows me to grow. Even mistakes I make in the process are potential opportunities.

Unintention is a hidden gem. It allows me to break into new territory and to try and avoid stagnent ideas that have been stated over and over.

Wow, time flies. Things change. I’m looking at my previous blog post (almost 8 months ago!) where I mention I was working on some new music. That was the truth, but soon after that I took some time from working on my own material to do things like catch up on reading a lot of books, hiking and some minor travel.

Mainly, I needed to catch my breathe and refresh before doing more work. Besides, the Red 5 project has been keeping me pretty busy so I’ve had my creative fountain running for that.

In the last month, I came back to the material I was working on releasing and realized I wasn’t really interested in the direction it was going anymore. So, that’s a lot of unfinished material down the drain. I’m not really disappointed, however, because I’m mulling over some newer ideas and have begun the process of creating new work.

Sometimes the creative process involves a lot of starting and stopping and throwing the pieces against the wall to see what sticks. Sometimes nothing sticks. Creativity is the act of balancing chaos and error against structure. What might result in the process is a heap of meandering or backward motion. It’s like feeling around in the dark with no idea where the cliff is. Creation is not a neat, boxed package.

It’s a kind of unfolding where I have to be patient and trust that I will pull something electric out of the ether.